出版社: Yale University Press
副标题: Hidden Transcripts
出版年: 1992-7-29
页数: 251
定价: USD 25.00
装帧: Paperback
ISBN: 9780300056693
内容简介 · · · · · ·
Received an Honorable Mention for the 1990 Professional/Scholarly Publishing Division Award in the History, Government, and Political Science category given by the AAP
"Play fool, to catch wise."—proverb of Jamaican slaves Confrontations between the powerless and powerful are laden with deception—the powerless feign deference and the powerful subtly assert their mastery. Peasan...
Received an Honorable Mention for the 1990 Professional/Scholarly Publishing Division Award in the History, Government, and Political Science category given by the AAP
"Play fool, to catch wise."—proverb of Jamaican slaves Confrontations between the powerless and powerful are laden with deception—the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, renowned social scientist James C. Scott offers a penetrating discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage—what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, Scott examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects. Scott describes the ideological resistance of subordinate groups—their gossip, folktales, songs, jokes, and theater—their use of anonymity and ambiguity. He also analyzes how ruling elites attempt to convey an impression of hegemony through such devices as parades, state ceremony, and rituals of subordination and apology. Finally, he identifies—with quotations that range from the recollections of American slaves to those of Russian citizens during the beginnings of Gorbachev's glasnost campaign—the political electricity generated among oppressed groups when, for the first time, the hidden transcript is spoken directly and publicly in the face of power. His landmark work will revise our understanding of subordination, resistance, hegemony, folk culture, and the ideas behind revolt.
From Yale University Press, http://yalepress.yale.edu/Yupbooks/book.asp?isbn=9780300056693
Domination and the Arts of Resistance的创作者
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詹姆斯·C·斯科特 作者
作者简介 · · · · · ·
received his bachelor's degree from Williams College and his MA and PhD (1967) from Yale. He taught at the University of Wisconsin–Madison until 1976, when he returned to Yale. Now Scott is the Sterling Professor of Political Science and Professor of Anthropology and is Director of the Agrarian Studies Program. He is a Fellow of the American Academy of Arts and Sciences, has he...
received his bachelor's degree from Williams College and his MA and PhD (1967) from Yale. He taught at the University of Wisconsin–Madison until 1976, when he returned to Yale. Now Scott is the Sterling Professor of Political Science and Professor of Anthropology and is Director of the Agrarian Studies Program. He is a Fellow of the American Academy of Arts and Sciences, has held grants from the National Science Foundation, the National Endowment for the Humanities, and the Guggenheim Foundation, and has been a fellow at the Center for Advanced Study in the Behavioral Science, Science, Technology and Society Program at M.I.T., and the Institute for Advanced Study, Princeton.
His research concerns political economy, comparative agrarian societies, theories of hegemony and resistance, peasant politics, revolution, Southeast Asia, theories of class relations and anarchism. He is currently teaching Agrarian Studies and Rebellion, Resistance and Repression.
Scott lives in Connecticut, where he raises sheep.
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Domination and the Arts of Resistance的书评 · · · · · · ( 全部 17 条 )

伪装的面具与权力的游戏——如何解读“后台”的潜隐剧本


愿我们能活得越来越真实

你方唱罢我登场,谁的剧本在公开与潜藏中轮转
这篇书评可能有关键情节透露
1982年,福柯在多伦多大学维多利亚学院演讲时谈到“说真话”的要义,时至今日,我们必须承认,“说真话”依然是一个极其困难的决定,正如在现代民主社会中,“向权力说出真理”这一表达仍然具有某种乌托邦的味道一样。 虚伪,其表现形式即“表演”,这一点并不难理解,并且它不... (展开)
现实的压抑或反抗的未来 ——对《支配与抵抗艺术:潜隐剧本》的思考
这篇书评可能有关键情节透露
一家餐厅的经理正领头喊出集会的口号,面前成排的员工便情绪高昂一同高声;和上司遇着的职员往往笑脸相迎,在领导一齐的场合丝毫不敢怠惰;班会上班主任的敦敦教诲,学生们安静得出神似是铭记于心。这些司空见惯的场景展现的是全部的事实吗?在平和的、秩序井然的“表演”外是... (展开)
A preview of J.C.Scott, 支配与抵抗艺术
这篇书评可能有关键情节透露
什么是公开剧本/潜隐剧本,概念与价值 mp.3 public transcript 的3个性质 1. 表面性 对从属者的思想只能起到表面指导,从属者表面恭敬 2. 存疑性 因为1,支配者仅仅将P.tr视为表演,不会完全信任 3. 伪装和监视依赖性 鉴于1+2,双方都会很依赖伪装和监视 hidden transcript ... (展开)

一本讲述权力运作逻辑的书
> 更多书评 17篇
论坛 · · · · · ·
有中文翻译版本么或者有人正在翻译么? | 来自倚天 | 8 回应 | 2021-05-17 10:17:31 |
这本书的其他版本 · · · · · · ( 全部4 )
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南京大学出版社 (2021)8.2分 1388人读过
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麥田 (2024)暂无评分 9人读过
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Yale University Press (1990)暂无评分 6人读过
以下书单推荐 · · · · · · ( 全部 )
- 詹姆斯·C.斯科特(James C. Scott)的人类学 (辄馨)
- Theory (袁长庚)
- CEU genderstudies 女性主义与性别研究课程 (荆棘城yuki)
- 文化政治入门 (Viraganio)
- 西方文化批評專題【2】 (南池子)
谁读这本书? · · · · · ·
二手市场
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- 在豆瓣转让 有592人想读,手里有一本闲着?
订阅关于Domination and the Arts of Resistance的评论:
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0 有用 加加 2020-11-21 09:55:06
英文版读不懂
0 有用 MaverickAdam 2022-10-14 08:44:44 荷兰
我爱他
11 有用 功夫熊猫小碗熊 2014-09-08 10:15:54
跟斯氏其他著作风格截然不同,依赖二手材料和文本发展理论,且其他著作还都可以说是研究某种“依附于某个历史阶段权力结构/经济关系的话语/习俗/行为方式/社会纽带”,此书则明确体现了往后现代转向的立场,不同话语文本对应不同场域(剧场),且其中蕴含着权力结构与社会关系,或者说话语本身即一种权力。所谓隐藏文本实不限于语言和情感,而包括柔性抵抗行动、发展可使用隐藏文本的社会关系和领域、侵蚀和戏谑公开文本等一整... 跟斯氏其他著作风格截然不同,依赖二手材料和文本发展理论,且其他著作还都可以说是研究某种“依附于某个历史阶段权力结构/经济关系的话语/习俗/行为方式/社会纽带”,此书则明确体现了往后现代转向的立场,不同话语文本对应不同场域(剧场),且其中蕴含着权力结构与社会关系,或者说话语本身即一种权力。所谓隐藏文本实不限于语言和情感,而包括柔性抵抗行动、发展可使用隐藏文本的社会关系和领域、侵蚀和戏谑公开文本等一整套生活方式。争夺话语权力与空间的斗争无形中又开拓了新的权力关系与社会空间。而有一点一贯的是,在揭示这些面对建制权力的自发、潜在、柔性和小规模抵抗其实非常值得关注的同时,往往回避这些反抗到底是否会达成许多人所期望的彻底推翻或改变政治权力结构的状态,这可能也是斯氏同许多坚定马克思主义者的较大分歧之一。 (展开)
0 有用 xxiaowen 2021-11-14 16:17:52
.....mais il ne s'agit pas d'art
0 有用 忘憂 2016-03-17 05:05:41
Everybody knows it... but still confusing after writing a term paper (Fall, 2013) about it. May be re-read in the future.--2016 Mar 16th