Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time" - died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality ...
Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time" - died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.
Introduction
Chapter I: The beginning
Chapter II: Art—a yeaming for the ideal
Chapter III: Imprinted time
Chapter IV: Cinema's destined role
Chapter V: The film image
· · · · · ·
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Introduction
Chapter I: The beginning
Chapter II: Art—a yeaming for the ideal
Chapter III: Imprinted time
Chapter IV: Cinema's destined role
Chapter V: The film image
Time, rhythm and editing
Scenario and shooting script
The film's graphic realisation
The film actor
Music and noises
Chapter VI: The author in search of an audience
Chapter VII: The artist's responsibility
Chapter VIII: After Nostalgia
Chapter IX: The Sacrifice
Conclusion
Notes
· · · · · · (收起)
写得真好啊，好久没读到让我摘抄如此多句子的书了T_T 老塔未必是我最喜欢的导演，但他的真挚和纯粹实在令人感动。"Traditionally, the best of the Russian intelligentsia were guided by conscience, incapable of self-complacence, moved by compassion for the depr...写得真好啊，好久没读到让我摘抄如此多句子的书了T_T 老塔未必是我最喜欢的导演，但他的真挚和纯粹实在令人感动。"Traditionally, the best of the Russian intelligentsia were guided by conscience, incapable of self-complacence, moved by compassion for the deprived of this world, and dedicated in their search for faith, for the ideal, for good."(展开)
![[俄] 安德烈·塔可夫斯基](https://img2.doubanio.com/view/celebrity/m/public/p321.jpg)
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0 有用 全息小羊 2019-11-08 02:28:41
到手 不是这个版本
0 有用 內有惡女 2023-07-28 22:37:37 荷兰
謝謝塔可夫斯基謝謝謝謝。
0 有用 季宰陸 2020-05-05 12:14:41
对读快乐！
0 有用 去棹 2020-02-06 04:20:56
（中英译本差别好大
0 有用 oranje 2023-02-28 00:33:40 美国
写得真好啊，好久没读到让我摘抄如此多句子的书了T_T 老塔未必是我最喜欢的导演，但他的真挚和纯粹实在令人感动。"Traditionally, the best of the Russian intelligentsia were guided by conscience, incapable of self-complacence, moved by compassion for the depr... 写得真好啊，好久没读到让我摘抄如此多句子的书了T_T 老塔未必是我最喜欢的导演，但他的真挚和纯粹实在令人感动。"Traditionally, the best of the Russian intelligentsia were guided by conscience, incapable of self-complacence, moved by compassion for the deprived of this world, and dedicated in their search for faith, for the ideal, for good." (展开)